A Guest Post Written by Gordon Anderson
(in the form of some musings and a plug for a rather unusual creative event)
That thing. You know the one. You found it and it wasn’t yours but you kept it. You didn’t know why, it was just there and… well, it’s kind of a funny story. Isn’t it? Continue reading
After reading Burton’s debut novel (The Miniaturist) I was expecting more of the same, but The Muse is quite different, both in style and theme. It is much more exciting and multi-layered, spanning two different time periods and focusing on the origins of an unusual painting. The book begins in 1960s London, where we meet the young aspiring writer Odelle Bastien, who moved to London five years ago from the West Indies. She is thrilled when she eventually lands a job as typist for the Skelton Art Gallery, working for the stylish Miss Quick. Continue reading
I picked up Strangeland in the Hay Festival bookshop (just to take a quick look) and, ten minutes later, realised I was hooked. It’s a collection of autobiographical pieces written by Tracey Emin about her eventful life and, though it’s full of abuse and heartbreak, it’s certainly a gripping read. It’s described on the front cover as “the jagged recollections of a beautiful mind” and “jagged” is a good word for this strange and powerful book. Continue reading
I really enjoyed Zadie Smith’s debut novel (White Teeth), though I have forgotten most of the plot. I wasn’t sure what to expect with On Beauty, except perhaps more of the same insightful humour and character driven narrative. To be honest, it took the first 100 pages or so for me to really get into this book, but that’s probably because the cast of characters is large, and each one has their own say. Continue reading
The poet R.S. Thomas passed away in 2000, and two books on modern art were discovered in his library, with previously unseen poems inserted between the pages. Too Brave To Dream: Encounters With Modern Art brings these poems together for the first time, alongside the images themselves. The poems are varied, short and impressionistic, similar in style to the ekphrastic work published during his lifetime. They are surreal, reflecting the appearance of the art he is writing about, but they are also intriguing in their own way. Continue reading
Experimentation is at the heart of all art forms, and poetry is no exception. A couple of weeks ago I attended one of the ‘Cardiff Poetry Experiment’ events, run by Cardiff University’s School of English. I was greeted at the wrought iron gates of Wyndham Arcade by the magical password ‘poetry?’ and allowed inside. The venue was Wyndham Tea Rooms (sister of Waterloo Tea Rooms), where you can get the best cuppa in Cardiff (though they were serving other drinks too). Continue reading
La Ghirlandata by Rossetti
I have always been attracted to the work of the Pre-Raphaelites, and intrigued by the lives of the women who modelled for their paintings. Muse by Dawn Marie Kresan is a collection which focuses on these women, particularly on Elizabeth Siddall, who was actually a poet and artist in her own right. Bethany Rivers’ pamphlet Off the wall also takes much of its inspiration from artwork, and contains some poems on similar themes to those explored in Kresan’s book. Continue reading
Made in Roath is a local community arts festival which began eight years ago and has grown into something not to be missed. Roath (aka The People’s Republic of Roath) is an ever-expandable quirky area of Cardiff which even has its own alternative ‘Actual History Museum’. The festival involves art in all its forms and this year, despite a nasty autumnal cold, I managed to get along to some of the spoken word / performance events, which were as fascinating and unique as ever. Continue reading
Gardening With Deer is a full-bodied, elegant yet accessible collection of poems which hold tightly together but also incorporate a range of topics, from art and myth to personal experience. It opens with an unnerving poem entitled ‘Bear’, which creates a sense of underlying fear, as we contemplate the “growling dark” and “the shadow on the wall that could be bear”. This theme continues throughout, as a prowling, dangerous presence, lurking just beneath the surface. Continue reading
Kelly Grovier’s collection A lens in the palm is full of ekphrasis (poetry written in response to a piece of artwork). Each poem has an ekphrastic quality about it – a certain way of looking, not just at art but at nature and humanity as well. The front cover is taken from a Japanese woodcut by Shosan ‘Monkey reaching for the moon’ c.1910, and it encapsulates the theme of Grovier’s work – reaching out in an attempt to capture the intangible. Continue reading