What better thing to do on a stormy Saturday than consider how Instagram might be influencing our perceptions of ourselves, our art or culture? The Image Works symposium provided an opportunity to do just that. And it’s also made me realise just how versatile social media can be, as a platform for artists, poets and researchers to engage with and potentially subvert social norms in an interactive digital space.
What makes someone a great artist? The Italian Teacher by Tom Rachman provides a fascinating answer to this question, as it tracks the life of Charles Bavinsky, known as ‘Pinch’, son of the great artist, Bear Bavinsky. It begins in Italy, when Pinch is just five years old, watching his father entertain the crowds, desperate for his affection and approval. His mother Natalie is also an artist, working with ceramics, but she is eclipsed by Bear’s extravagant personality, and her work always comes second to his. Continue reading
Hand & Skull is the latest poetry collection from Zoë Brigley, full of poetry which confronts the reader with a fascination in observation, particularly focusing on traumatic experience, veering from intimacy and beauty to violence and abuse. Many of the poems are inspired by the relationship between the photographer Alfred Stieglitz, and Georgia O’Keeffe, of whom he took numerous photographs, and who became a well-known artist in her own right. Continue reading
Despite being unwell I was determined to enjoy at least a few of this year’s Seren Poetry Festival events. Highlights included a fascinating insight into the complexities of translating poetry from Welsh to English, exceptional spoken word from up-and-coming poets Amiina Mohamoud and Umulkhayr Mohamed, an unusual two-way collaboration between visual artists and writers, and a frank and open discussion about the ‘BAME’ label and the need for change within the publishing industry… Continue reading
When you move to a new city, you never know what kind of place you’ll end up living in. Nine and a half years ago I spent an exhausting weekend traipsing through the streets of Cardiff, searching for a place to call home. Roath was the last place I looked, and it felt just right – a suburb full of life, but safe too, and welcoming. Little did I know that it was a breeding ground of artistic creation, or that the annual madeinroath arts festival would become one of the highlights of my year. Continue reading
Visiting the Minotaur plunges you straight into the myth in ‘Swimming with the Bull’, a dramatic encounter across ‘three-and-a-half-thousand years’. This sets the tone for the collection as a whole, exploring the surreal nature of family relationships and crossing the boundaries of time and space, as humans and monsters find their roles reversed. The cover image (a painting by Matthew Grabelsky) is both startling and ordinary – the perfect depiction of what lies between the covers. Continue reading
I’ve just spent three days immersed in the excitement and inspiration of the Hay Festival, writing about Welsh writers and enjoying the sunshine (with a little mud, lightning and rain thrown in for good measure) so here are some of my poetic highlights from the first few days of Hay 2018…
On Saturday morning I arrived bright and early to get a good parking spot and soak up the atmosphere. It was damp and foggy, but soon brightened up enough for an ice cream (gooseberry crumble flavour – the best I’ve ever tasted!). Continue reading
What makes you pick up a book? I am unashamed to admit that the cover and title of a book always have an impact on whether or not I decide to read it. They’re what I see first, and first impressions count, to the extent where, even if a book is highly recommended, an unappealing cover will put me off for a long time.
So what is it that attracts you to a book? And what puts you off? Here’s a quick analysis of book cover science… Continue reading
Ekphrasis is my favourite kind of writing at the moment – it’s a word used to describe the written response (usually in the form of a poem) to a piece of visual art. It provokes so many questions… Does the poem still make sense away from the artwork? Do the writer and artist agree on their interpretation of the piece? Can both poem and artwork interact and create new meanings together? Continue reading
A Guest Post Written by Gordon Anderson
(in the form of some musings and a plug for a rather unusual creative event)
That thing. You know the one. You found it and it wasn’t yours but you kept it. You didn’t know why, it was just there and… well, it’s kind of a funny story. Isn’t it? Continue reading
After reading Burton’s debut novel (The Miniaturist) I was expecting more of the same, but The Muse is quite different, both in style and theme. It is much more exciting and multi-layered, spanning two different time periods and focusing on the origins of an unusual painting. The book begins in 1960s London, where we meet the young aspiring writer Odelle Bastien, who moved to London five years ago from the West Indies. She is thrilled when she eventually lands a job as typist for the Skelton Art Gallery, working for the stylish Miss Quick. Continue reading
I picked up Strangeland in the Hay Festival bookshop (just to take a quick look) and, ten minutes later, realised I was hooked. It’s a collection of autobiographical pieces written by Tracey Emin about her eventful life and, though it’s full of abuse and heartbreak, it’s certainly a gripping read. It’s described on the front cover as “the jagged recollections of a beautiful mind” and “jagged” is a good word for this strange and powerful book. Continue reading
I really enjoyed Zadie Smith’s debut novel (White Teeth), though I have forgotten most of the plot. I wasn’t sure what to expect with On Beauty, except perhaps more of the same insightful humour and character driven narrative. To be honest, it took the first 100 pages or so for me to really get into this book, but that’s probably because the cast of characters is large, and each one has their own say. Continue reading
The poet R.S. Thomas passed away in 2000, and two books on modern art were discovered in his library, with previously unseen poems inserted between the pages. Too Brave To Dream: Encounters With Modern Art brings these poems together for the first time, alongside the images themselves. The poems are varied, short and impressionistic, similar in style to the ekphrastic work published during his lifetime. They are surreal, reflecting the appearance of the art he is writing about, but they are also intriguing in their own way. Continue reading
Experimentation is at the heart of all art forms, and poetry is no exception. A couple of weeks ago I attended one of the ‘Cardiff Poetry Experiment’ events, run by Cardiff University’s School of English. I was greeted at the wrought iron gates of Wyndham Arcade by the magical password ‘poetry?’ and allowed inside. The venue was Wyndham Tea Rooms (sister of Waterloo Tea Rooms), where you can get the best cuppa in Cardiff (though they were serving other drinks too). Continue reading
La Ghirlandata by Rossetti
I have always been attracted to the work of the Pre-Raphaelites, and intrigued by the lives of the women who modelled for their paintings. Muse by Dawn Marie Kresan is a collection which focuses on these women, particularly on Elizabeth Siddall, who was actually a poet and artist in her own right. Bethany Rivers’ pamphlet Off the wall also takes much of its inspiration from artwork, and contains some poems on similar themes to those explored in Kresan’s book. Continue reading
Made in Roath is a local community arts festival which began eight years ago and has grown into something not to be missed. Roath (aka The People’s Republic of Roath) is an ever-expandable quirky area of Cardiff which even has its own alternative ‘Actual History Museum’. The festival involves art in all its forms and this year, despite a nasty autumnal cold, I managed to get along to some of the spoken word / performance events, which were as fascinating and unique as ever. Continue reading
Gardening With Deer is a full-bodied, elegant yet accessible collection of poems which hold tightly together but also incorporate a range of topics, from art and myth to personal experience. It opens with an unnerving poem entitled ‘Bear’, which creates a sense of underlying fear, as we contemplate the “growling dark” and “the shadow on the wall that could be bear”. This theme continues throughout, as a prowling, dangerous presence, lurking just beneath the surface. Continue reading