
Eric Ngalle Charles
Cardiff’s Central Library has recently begun holding regular Open Space events for writers to perform their work or hold a book launch. These are free to attend, and a great way for writers to reach a wider audience. This month’s Open Space featured four local poets, in celebration of October’s National Poetry Day and Black History Month. The event was well attended, and included musical elements as well as the spoken word. Continue reading
Speaking at the Cheltenham Literature Festival, Simon Armitage admitted that, when translating the Medieval poem Sir Gawain and the Green Knight, someone literally had to take it off him, before he would allow it to be finished. “Translation is addictive,” he explained, “and much easier than writing your own poetry, because you can concentrate on it for longer, and it’s far less open-ended”. He added that “working with poets from the past is like tracing family members or finding ancestors; it’s like harmonising, like singing along to the Beatles in the car, two voices together.”
Addlands is a book that takes you to another place – a rural mid-Wales that no longer exists, where time was slower and life was hard. It begins in 1941, as the farmer, Idris Hamer, ploughs his land with determination, content with his place in the natural world, surrounded by his dogs, his horse, “seacrows, starlings and lapwings”. We move from moment to moment, gaining vivid, brief impressions of life in the Funnon, passing through the years, chapter by chapter, until finally we reach 2016, where the story concludes, aeons away from its beginnings. 
Last night I caught a fleeting glimpse of the magical white-tented world that is the Cheltenham Literature Festival. Passing through, from Coventry to Cardiff, I was only able to attend three events, but each one was thoroughly enjoyable. With a similar set up to the Hay Festival, including an almost identical bookshop tent, the same (though fewer) toilets, and extortionately priced refreshments, there was an air of familiarity that was somewhat comforting.
The Immigration Handbook is an impressive collection which varies in tone and style. Smith uses simple language, small details and powerful imagery to present to us the extraordinary lives of ordinary people, caught up in situations beyond their control. As the asylum caseworker for a London based MP, she has spent years helping immigrants to navigate the complexities of an underfunded, overstretched bureaucratic system. 
The plot of The Unforgotten twists and turns, keeping the reader gripped until the very end. I read it in two days, and I would certainly recommend that if you’re going to start reading it, you clear your diary first. It begins in 1956 with a series of horrific murders in the small Cornish seaside village of St Steele. Betty Broadbent, aged fifteen, has left school and now helps her eccentric mother to run a boarding house. She is shocked and scared by the murders, but feels sorry for Mr Forbes, the local butcher, whom everyone suspects.