Ekphrasis is a word used to describe the written response (usually in the form of a poem) to a piece of visual art. I find it inspiring and intriguing, partly because it provokes so many questions and layers of meaning… Does the poem still make sense away from the artwork? Do the writer and artist agree on their interpretation of the piece? Can both poem and artwork interact and create new meanings together? Continue reading
Speaking at the Hay Festival last month, Matthew Francis described his first encounter with The Mabinogi (which he read in 1999 when he moved to Wales). “I was both baffled and fascinated by it,” he explained, “It’s extraordinary, and strange in the way it’s constructed, and it also has a strange logic.” He is not a Welsh speaker himself, and this is not a translation – he described it as a “re-imagining” of the myth, in the same way that Shakespeare drew on existing stories for his plays. Continue reading
Amali Rodrigo
I couldn’t have picked a better day for attending this year’s Ledbury Poetry Festival – the sun was shining, the roads were quiet and the poetry was exceptional. I only wish I could have stayed for longer. My first event was an opportunity to ‘Meet the Poetry Editors’, followed by poetry readings from Suzannah Evans, Tom Sastry, Jacqueline Saphra, Katherine Towers and Amali Rodrigo, as well as a personal serenade from a blackbird in Ledbury’s old walled garden. Continue reading
The Ledbury Poetry Festival is now well established, and 2017 will be bigger than ever, as they celebrate their 21st year. Described by Andrew Motion as “the best” poetry festival in the UK, it will be crammed full of events, including kids activities, free ’20 minute’ readings and writing workshops, alongside the big names in poetry. I interviewed the Festival Manager, Phillipa Slinger, to find out more. Continue reading
The fun part of stewarding at Hay is that you never know what to expect. The venues change each day, some events get cancelled, and new events are organised. Day 6 began with another delicious cooked breakfast, and the discovery that two of our events had been cancelled – leaving gaps in the afternoon and an early finish, so I decided to try stewarding in a different venue… Continue reading
My fourth day of stewarding at Hay began with a much-needed sugar rush in the form of a Danish pastry. It’s incredible how exhausting it is, and yet so addictive as well. The queue management is a real art, and it gets complicated sometimes, with queues overlapping queues and stampedes for the book tent – the most manic of which was the stampede for Neil Gaiman. The day continued with a rather depressing event about dementia, a smattering of politics and an unexpected new event with Tracy Chevalier… Continue reading
Glyn Edwards
National Poetry Writing Month is over at last, and it seems like only yesterday that I was cosied up on the sofa listening to the autumn storms, thinking April seemed a long way off. It was back in October that I began to plan a series of events for #EdwardThomas100, to mark the centenary of the World War One poet, and to make Cardiff University’s incredible archive collections more visible to the public. It’s been an exciting few months, and it’s hard to believe it’s all over, so here are some reflections on the experience… Continue reading
The Abergavenny Writing Festival began last year, but I wasn’t able to make it, so I was determined to get to at least one of their events this year if at all possible. Life is busy! But I managed to get to the grand finale – an event which combined music and poetry. It was a beautiful drive up into the Welsh hills, to the Kings Arms Hotel, where we sat in a cavernous room with unusual acoustics to hear from some talented local musician-poets. Continue reading
The first thing that struck me about Edward Thomas, when I began to research his life and work, was his close bond with the American poet Robert Frost. Frost’s famous poem ‘The Road Not Taken’ was actually written for Edward Thomas, during a period of indecision. It was 1915, and Frost himself had returned to the US, whilst Thomas was intending to follow him there. But the First World War was still raging, and Thomas’s conscience held him back. He did not want to enlist but, as he explained in a letter to his friend, “hardly a day passes without my thinking I should.” Continue reading
Most biographies begin at the beginning. Not this one. This one reads more like a novel – and the last few years in the life of much-loved poet Edward Thomas certainly provide an engaging plot. Hollis begins his tale with an introduction to Harold Munro’s Poetry Bookshop, which opened in London in 1913, providing a unique hub around which the poets of the day gathered… But Edward Thomas is not yet a poet at this stage in the story; he is a stressed poetry reviewer, churning out travel books and reviews, struggling to make ends meet… Continue reading
I recently discovered that Cardiff University holds a unique collection of rare books and manuscripts. Amidst this literary treasure trove, there sits a shelf or two of unassuming boxes, containing the Edward Thomas archive – a set of objects, original manuscripts, letters, notebooks and other material relating to this popular poet. And it just so happens that it’s exactly one hundred years since Edward Thomas was killed, at the Battle of Arras in April 1917… Continue reading
What I enjoyed most about the recent Verve Poetry Festival (first of many, I hope) was the fact that it embraced poetry in all its guises, from the academic to the experimental, the hilarious to the downright ridiculous. We had spoken word at its most ostentatious, the big names and the new faces, plenty of opportunities to hear about the writing process, and workshops on themes as varied as ‘taking risks’ and performance technique… Continue reading
On this – the final day of the Verve Poetry Festival, we have just been treated to a memorable showcase of four poets from Nine Arches Press, whose writing is both poignant and moving, unafraid to face up to the difficulties of life and the pain of loss. All the poets agreed, in their discussion afterwards, that poetry is an essential tool for “bearing witness” in the world, that it’s important to be truthful, allowing emotion to come through in your work… Continue reading
Last night I feasted on poetic delights of all kinds at the Verve Poetry Festival, which is beautifully pink and exciting… hosted by the many-layered Waterstones Birmingham store. I’ve never seen so many poetry enthusiasts in one space before! We had readings from Mona Arshi, Kim Moore and Katrina Naomi, followed by a full-on spoken word Dice Slam with Apples and Snakes, featuring poets from around the UK, and a rather unusual judging method… Continue reading
Experimentation is at the heart of all art forms, and poetry is no exception. A couple of weeks ago I attended one of the ‘Cardiff Poetry Experiment’ events, run by Cardiff University’s School of English. I was greeted at the wrought iron gates of Wyndham Arcade by the magical password ‘poetry?’ and allowed inside. The venue was Wyndham Tea Rooms (sister of Waterloo Tea Rooms), where you can get the best cuppa in Cardiff (though they were serving other drinks too). Continue reading
International Dylan Thomas Day (aka #DylanDay) takes place on 14th May each year, and it’s a fantastic excuse for celebrating the work of this renowned Welsh poet. The idea is that people everywhere (you don’t have to be in Wales) can organise their very own Dylan Thomas themed event, small or large. Last year there were 50 events all across the UK, as well as in New York, Milan, Perth, Sydney and elsewhere… Continue reading
The first ever Verve Poetry Festival takes place next month in Birmingham (16th-19th February). It’s set to be an exciting weekend, with a strong emphasis on spoken word performance, as well as the usual poetry readings and creative writing workshops. I interviewed Cynthia Miller (Co-Director of the Festival and a poet herself) to find out more. She began by explaining how it all started… Continue reading
Tracy Rhys
What’s the collective noun for poets? Perhaps ‘a plethora of poets’, or ‘a stanza of poets’? My own favourite is ‘a pub-full of poets’ (they tend to gather in pubs). Whatever the word, we had eight of them reading their work at this new event, entitled ‘Collective’, organised by Christina Thatcher (whose own debut collection will be published in 2017). It was not held in a pub, for once, but in the retro café / bar Little Man Coffee Company, on a night so foggy that Sherlock Holmes would have felt very much at home… Continue reading
Eric Ngalle Charles
Cardiff’s Central Library has recently begun holding regular Open Space events for writers to perform their work or hold a book launch. These are free to attend, and a great way for writers to reach a wider audience. This month’s Open Space featured four local poets, in celebration of October’s National Poetry Day and Black History Month. The event was well attended, and included musical elements as well as the spoken word. Continue reading
Speaking at the Cheltenham Literature Festival, Simon Armitage admitted that, when translating the Medieval poem Sir Gawain and the Green Knight, someone literally had to take it off him, before he would allow it to be finished. “Translation is addictive,” he explained, “and much easier than writing your own poetry, because you can concentrate on it for longer, and it’s far less open-ended”. He added that “working with poets from the past is like tracing family members or finding ancestors; it’s like harmonising, like singing along to the Beatles in the car, two voices together.” Continue reading