I love editing my poems. There’s a thrill in getting that first draft down on the page, but nothing beats spending hours, days, weeks, months (even years) pondering over a poem, testing out words, switching line breaks, finding the perfect form. However, I’ve never been in quite this position before, knowing that the final changes I’m making right now will end up as an actual book of poems. My debut collection Octopus Mind is due for publication in July, and the deadline is looming. Continue reading
Reviews of Festivals & Events
Soaking up the Poetry at Ledbury Poetry Festival
I’ve just spent two fabulous days losing myself in the delights of language at this year’s Ledbury Poetry Festival. It was hot and sunny, and although many of the events were available to watch online, I thoroughly enjoyed the atmosphere of being right there, in the old town of Ledbury. The workshops were held upstairs in the Heritage Centre, a quaint (and very wonky) building, with a sloping floor. Continue reading
Cheltenham Literature Festival: Bernadine Evaristo, Sebastian Faulks and More…
The highlight of my day at the Cheltenham Literature Festival was seeing Bernadine Evaristo and Dawn French in conversation, but I must admit that I was too tired to take proper notes by this point (and too busy laughing!) so I can’t report all of what was said. It felt good, after the last two years, to be part of a live audience again, and it was fascinating to hear them discuss their own careers and compare writing techniques, both coming from a background of theatre and performance. They also discussed the controversial topic of white writers writing black characters, agreeing that so long as the characters are fully rounded, well-researched and well-written, it is good to create diverse characters in order to reflect the society in which we live. Continue reading
A Storytelling Festival at Dynefwr
I have just spent three glorious days at Beyond the Border Storytelling Festival. It was all outdoors, in sunshine and rain, beneath the towers of Dynefwr, a ruined Welsh castle. The atmosphere could not have been more fitting for my first post-covid literary event. Numbers were limited, of course, and there were social distancing rules in place, but it still felt truly magical. Continue reading
Hay Festival 2020 – Digital Highlights
I plucked up the courage to attend the Hay Festival on my own for the first time ever in 2016, and I’ve been addicted ever since, so I’m glad that, despite financial uncertainty and the impossibility of running live events, the organisers have managed to create the next best thing – Hay Festival online. And there are benefits – no queueing for the toilet, no stampede in the book tent, no backache from those awkward plastic chairs, and easy access for so many who would normally miss out. But I really do miss the buzz of literary excitement, the roar of applause at the end of an event, and the delicious taste of Shepherds ice cream in the sun.
So here are a few of my highlights from Hay Festival 2020, celebrating the legacy of Wordsworth, the beauty of language, the culture of China, and the relaxation of reading… Continue reading
#Instagram #Instapoetry #Instaart – Engaging with Visual Culture
What better thing to do on a stormy Saturday than consider how Instagram might be influencing our perceptions of ourselves, our art or culture? The Image Works symposium provided an opportunity to do just that. And it’s also made me realise just how versatile social media can be, as a platform for artists, poets and researchers to engage with and potentially subvert social norms in an interactive digital space.
Highlights from the Cardiff Poetry Festival 2020
Now in its third year, the Cardiff Poetry Festival (run by Seren Books) has moved to a new venue. The Temple of Peace is a strange looking building, a cross-between a war memorial and a beacon of hope – it looks rather grim on the outside, especially in this weekend’s torrential rain, but it is quite magnificent on the inside. The festival itself included a mix of poetry readings, workshops and talks, but the highlight for me was Cherry Smyth’s performance of an incredible poetic sequence which evokes the horror and hunger of the Irish potato famine, accompanied by jazz singer Lauren Kinsella. Continue reading
Inspiration from the Hay Festival Winter Weekend
I’ve become a Hay Festival addict over the last few years but, until this week, I had never been to the Winter Weekend – a miniature version of the Hay Festival which takes place at the end of November. This year I’ve been involved in the Literature Wales mentoring programme for writers, which includes the opportunity to attend ‘industry days’ at Hay. I’ve written about the experience for the Hay Festival International Writers’ blog – click here to read it, and I’ve also included a few more photos and comments below… Continue reading
Hay Festival 2019 – Myths, Heritage, Landscapes, Stories & Maps
I’m writing this from the sanctuary of my own home, after what has been an incredible yet exhausting few days at Hay. The sun did come out yesterday afternoon, and I did enjoy sitting in a deckchair, reading for a bit, but this year’s festival has been more of a challenge than in previous years, due to my lack of energy and a general lack of sunshine, and I am grateful for some much-needed rest.
There were two events that I found particularly fascinating over the last couple of days, both relating to the historical landscape, the way in which we ‘read’ and interpret the past, and the importance of maps and stories… Continue reading
Hay Festival 2019 Day 1 – Rain, Sun & Poetry – Past & Present
Marion Turner, photo by Iga Koncka
My first day at Hay began under a black cloud, and a sudden downpour (whilst sheltering in the food hall) but it soon brightened up, and I enjoyed a treat of poetry, biography and fiction, with a few bursts of sunshine in between. I enjoyed chatting to a friendly couple whilst munching on an incredible chocolate brownie, and despite still recovering from post viral fatigue, I coped with the onslaught of crowds and found refuge in the bookshop for a much-needed a rest. There seem to be more places set aside for reading this year, including a dark cave full of reading lamps called the ‘serious reading room’. Continue reading
#Unafraid: Mental Health in Words
Poetry is not just for ‘arty’ types, it’s for everyone, so it’s good to see scientists and creatives working together. Last week I attended an event organised by the Royal College of Psychiatrists, to celebrate their work with Patrick Jones, their current artist in residence. The event also showcased the work of other poets who have written about mental health issues, as well as patients who’ve benefitted from the therapeutic aspects of writing, but its main focus was as a starting point, a bringing together of psychiatrists and poets in the same space, to enable discussion and debate about what more can be done… Continue reading
Translation, Interrogation, Spoken Word and Collaboration: Highlights from the Seren Poetry Festival
Despite being unwell I was determined to enjoy at least a few of this year’s Seren Poetry Festival events. Highlights included a fascinating insight into the complexities of translating poetry from Welsh to English, exceptional spoken word from up-and-coming poets Amiina Mohamoud and Umulkhayr Mohamed, an unusual two-way collaboration between visual artists and writers, and a frank and open discussion about the ‘BAME’ label and the need for change within the publishing industry… Continue reading
Literary Highlights of 2018
Looking back over the last year makes me realise just how priviliged I am to live in a country where so many literary events and opportunities exist, and I’m especially grateful for the small community of writers in Cardiff who continue to run free, or low-cost workshops and open-mic nights on a regular basis. I’ve continued to enjoy running my own ekphrastic writing workshop, and have begun the second year of my part-time MA in Creative Writing. There have been plenty of literary highlights over the past few months, including the thrills of the Hay Festival, but here are my top four… Continue reading
Cardiff Book Festival – Highlights from 2018
Now in its third year, the Cardiff Book Festival is not only a great platform for local writers and authors from further afield, but also a catalyst for debate on all sorts of issues. There were plenty of workshops too, aimed at writers perfecting their craft, and this year I ran my own event on the subject of blogging. Continue reading
The Magic of Place – A Creative Writing Summer School
Manchester Metropolitan University’s annual Creative Writing Summer School is designed to push you into trying out new things. As a poet, I naturally signed up to attend most of the poetry sessions, but it was the ‘place writing’ workshops which I enjoyed the most. A visit to Chetham’s Library, on the second day of the summer school, was definitely the highlight for me – an opportunity to forget the pressure of honing my craft as a writer, to wander about and take photos, scribble down notes and enjoy the atmosphere of peace and tranquillity. Continue reading
Beyond Psychopaths: Mental Health in Crime Fiction
Cardiff celebrated its first ever crime fiction festival last week, and one of the most interesting events explored the portrayal of mental illness within the genre. Local crime writer Rosie Claverton also happens to be a junior psychiatrist, and it was fascinating to hear her in discussion with Matt Johnson, a former police officer who also writes crime fiction, and has experienced post-traumatic stress disorder, turning to writing as a form of therapy. Continue reading
Hay Festival 2018 – Part 1: Poets, Art, Ambience and the Taste of Words
I’ve just spent three days immersed in the excitement and inspiration of the Hay Festival, writing about Welsh writers and enjoying the sunshine (with a little mud, lightning and rain thrown in for good measure) so here are some of my poetic highlights from the first few days of Hay 2018…
On Saturday morning I arrived bright and early to get a good parking spot and soak up the atmosphere. It was damp and foggy, but soon brightened up enough for an ice cream (gooseberry crumble flavour – the best I’ve ever tasted!). Continue reading
How to Write for Children – Advice from the Cardiff Children’s Literature Festival
It was reassuring to hear that Claire Fayers, who introduced this Cardiff Children’s Literature Festival event, was actually in the audience five years ago, when it first took place, wondering if she’d ever get her work published. She now has two children’s books published (the Accidental Pirates series), which proves that these things can happen! She introduced us to author Horatio Clare and literary agent Philippa Milnes-Smith, who shared their advice on writing for children and getting published.