The Vagabond’s Breakfast is a memoir – a collection of short prose pieces which evoke the confusion of illness and the complexity of memory. Beginning in 2007, shortly after he was diagnosed with hepatic encephalopathy, awaiting news of a potential liver transplant, Richard Gwyn reflects on the years leading up to this moment – years of vagrancy and alcoholism, travelling around Europe, moving from one temporary location to another, with no clear sense of direction or purpose.
Here’s my annual round-up of all the literature festivals taking place in Wales in 2020. From the smallest of bookfairs run by local communities to the most popular literary festivals on a monumental scale…
Please use the comments below to add information about any literature festivals which I have missed out, and I’ll continue to update this post throughout the year. I should also add that some of the organisers are not able to announce their programmes until later in the year, so you may need to check back for further details.
What makes a good book blog? That’s the question I asked when I decided to create a book blog of my own, and to celebrate the beginning of a new year I’m giving away two free copies of my book ‘How to Start a Book Blog: A Step by Step Guide’ which is full of tips and advice for anyone interested in book blogging (see details of how to enter this giveaway below). Of course everyone will have different ideas about what makes a good book blog, but here are my top five… Continue reading
It’s nearly Christmas, and there’s no better gift than a book! This year, more than ever, it feels like there has been so much change and uncertainty in the world. Reading is a great way to pause and reflect, and to understand how other people see things in different ways. So here are five book-gift recommendations, just in case you need some last minute inspiration – four fiction books and some poetry…
I’ve become a Hay Festival addict over the last few years but, until this week, I had never been to the Winter Weekend – a miniature version of the Hay Festival which takes place at the end of November. This year I’ve been involved in the Literature Wales mentoring programme for writers, which includes the opportunity to attend ‘industry days’ at Hay. I’ve written about the experience for the Hay Festival International Writers’ blog – click here to read it, and I’ve also included a few more photos and comments below… Continue reading
It was the beautiful cover design that attracted me to Once Upon A River by Diane Setterfield and, as soon as I began to read, I was hooked. It’s a wonderfully mysterious, ghostly tale, set in a time before people travelled far, and centred around The Swan Inn, on the edge of the Thames, at Radcot, where the age-old tradition of storytelling holds sway. Continue reading
The Beekeeper of Aleppo is, without doubt, one of the saddest books I have ever read. It is told from the perspective of Nuri, a man who is fleeing the horrors of war with his wife Afra, who was blinded when a bomb exploded at their home, killing their young son. They leave Syria, hoping to join Nuri’s cousin, Mustafa, who has already made it to England, and their journey is fraught with danger.
There is a strong sense of time passing, in This Tilting Earth, a pamphlet of poems by Jane Lovell (the winning entry from last year’s Mslexia pamphlet competition). It begins with ‘Song of the Vogelherd Horse’, an elegy which takes us back to the Ice Age, giving voice to the artefact itself, conjuring up the ghosts of those who ‘smoothed my lissom back’ and ‘buried me in soil’. This introduces the pamphlet’s main theme – an exploration of mankind’s complex relationship with animals over the centuries. Continue reading
The Downstairs Girl is set in 1890s Atlanta, and it reminded me very much of Louisa May Alcott’s novel Little Women, which also features a protagonist called Jo, who writes. But this novel examines American society from a different perspective – that of the outsider. Jo Kuan is Chinese, scraping out a meagre living as a hat maker, and hiding away at night in the basement of a print shop, with her adopted father (Old Gin). They exist on the edge of society – not white or black, but viewed warily by others as something in between, to be avoided and ignored. Continue reading
The Testaments is Margaret Atwood’s long-awaited sequel to The Handmaid’s Tale, set fifteen years later, and told through the voices of three very different women. These tales are presented as testimonies, all written in past tense, with the benefit of hindsight, but without too much of a hint at how things might eventually work out. Continue reading
What makes someone a great artist? The Italian Teacher by Tom Rachman provides a fascinating answer to this question, as it tracks the life of Charles Bavinsky, known as ‘Pinch’, son of the great artist, Bear Bavinsky. It begins in Italy, when Pinch is just five years old, watching his father entertain the crowds, desperate for his affection and approval. His mother Natalie is also an artist, working with ceramics, but she is eclipsed by Bear’s extravagant personality, and her work always comes second to his. Continue reading
A Guest Post written by Mary Le Bon
Dreams From My Father gives an honest, self-deprecating account of Barack Obama’s search for identity in the first part of his life. He was commissioned to write this book, after becoming the first African American president of the Harvard Law Review. This led him on a journey of exploration, seeking out his ancestral roots and working through the confusion of his own childhood memories. Continue reading
How do you decide which poems to submit to which magazines, and when? How do you cope when your poems get rejected? And how do you respond to critical and constructive feedback? These three questions are ones which I’m sure every poet grapples with, and I’ve certainly had my fair share of grappling this year. It’s helpful to pause and look back every now and then, so here are my reflections on taking part in the #100rejections challenge… Continue reading
The Overstory is an epic tale which moves at an incredible pace, following the stories of disparate people, and trees, over several decades. I was uncertain, to begin with, what to make of the present tense omniscient narrator style, but soon became swept along, mesmerised by the way in which the lives of people and trees are intertwined: Continue reading
Vertebrae is Glyn Edwards’ first collection – a book of poems that stand as a bridge between human and natural landscapes, linking past and present, beginning with the imminent birth of a son in ‘The Land or Body Tide’. This poem balances the emotive experience of seeing the unborn foetus via ultrasound scan, against the push and pull of seismic forces on the surface of the earth. It is shaped as a spine on the page, and it sets out the theme for what follows – a selection of poems that focus on relationship, particularly the challenges of fatherhood, within a natural environment, and emotional events observed from an analytical distance.
The title of this book – Eleanor Oliphant is Completely Fine – has intrigued me, ever since I saw people reading it when it first came out, and yet something put me off – I think it was the knowledge that it was about loneliness, and I was afraid that it would challenge my perceptions of others, and perhaps even my perceptions of myself. But it does far more than that. It is a fascinating, beautifully told, incredibly gripping tale about one young woman who is just about coping with life. Continue reading
Hand & Skull is the latest poetry collection from Zoë Brigley, full of poetry which confronts the reader with a fascination in observation, particularly focusing on traumatic experience, veering from intimacy and beauty to violence and abuse. Many of the poems are inspired by the relationship between the photographer Alfred Stieglitz, and Georgia O’Keeffe, of whom he took numerous photographs, and who became a well-known artist in her own right. Continue reading
There’s something inspirational about spending time with other writers, sharing a mutual interest in words and stories, poems and punctuation, and last week I attended the MMU Creative Writing Summer School – the perfect finish to my MA, after two years of study and creativity. I just have one final assignment to complete – a collection of 300 lines of poetry – and that will be it! I thoroughly enjoyed the summer school, and am now feeling re-energised and ready for a final burst of creativity over the summer… Continue reading