I have struggled a lot with my health over the past few months, but I also have a lot to be thankful for in what is effectively the final year of my PhD. The two writing retreats I attended in December were fruitful. I spent much of January writing new poems based on the January Writing Hour prompts provided by Kim Moore and Clare Shaw, inspired by the response to my interactive poetry museum display last autumn. Continue reading
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Creative Women: Matrix by Lauren Groff and Letters to Gwen John by Celia Paul
I’ve not managed to post many book reviews recently, as I’ve been struggling with chronic fatigue while completing my PhD and getting my own book ready for publication. So I’m going to post a few mini-reviews over the summer, reflecting on some of the incredible books I’ve read over the past year. The first two books are very different but they both focus on the experiences of women. Continue reading
Poetry in the Art Museum: In So Many Words
For the past nine weeks I’ve enjoyed seeing my PhD theories come to life, in the form of an interactive poetry display at National Museum Wales. The response has been phenomenal, beyond anything I could have imagined, and it’s been a real privilege to see so many people interacting with the display in different ways. Continue reading
A Creative Writing PhD – The Third Year: Part 2
I began my PhD in 2019, just before the pandemic. Covid has meant a lot of disruption and re-adjustment, but I’m delighted to say that, after three years of hard work and waiting, I have finally been able to put my PhD theories into practice – my interactive poetry display at National Museum Cardiff opens today! Continue reading
Poetry Review: Black Cat Bone by John Burnside and Bird-Woman by Em Strang
I have had John Burnside’s collection Black Cat Bone on loan from the library for nearly a year now, and I keep returning to his long poem ‘The Fair Chase’. There’s something mesmerising about it, not just in the compelling rhythm, but also in a narrative that never seems to end. On the one hand, it is a depiction of hunting that seems violent and bloody. On the other hand, it is a kind of doomed, ongoing quest towards a deeper understanding of the self, which can never be fully realised, reminiscent of both Actaeon and the Ancient Mariner. Continue reading
A Creative Writing PhD – The Second Year
My first year as a creative writing PhD student was fairly eventful, with a pandemic taking over every aspect of life from March onwards. Looking back, I think the routine of PhD work, with the opportunity to immerse myself in research, was the main thing that kept me going through the lockdown. The second year has included teaching online, running workshops online, organising a conference (also online) and plenty of reading, mainly from the comfort of my own home. For obvious reasons, I don’t have many photos! Continue reading
Poet in Residence at the Cynon Valley Museum
For the month of June I’ve been writing and posting new poems on the Cynon Valley Museum website, responding to their online art exhibitions, and artefacts from their collection. I was privileged to work at the museum for a few months last year, before starting my PhD, and was impressed by their high quality art exhibitions, some of which you can now see online. Continue reading
Poetry Review: After Cézanne by Maitreyabandhu
Paul Cézanne repeatedly attempted to capture the image of one particular mountain (Mont Sainte-Victoire) in his post-impressionist paintings, and this obsession is echoed in Maitreyabandhu’s most recent poetry collection, After Cézanne. The collection is unusual in focusing entirely on the work of one artist, and reproducing many of the paintings in full colour, so the reader can peruse the original works of art alongside each poem.
#Instagram #Instapoetry #Instaart – Engaging with Visual Culture
What better thing to do on a stormy Saturday than consider how Instagram might be influencing our perceptions of ourselves, our art or culture? The Image Works symposium provided an opportunity to do just that. And it’s also made me realise just how versatile social media can be, as a platform for artists, poets and researchers to engage with and potentially subvert social norms in an interactive digital space.
Book Review: The Italian Teacher by Tom Rachman
What makes someone a great artist? The Italian Teacher by Tom Rachman provides a fascinating answer to this question, as it tracks the life of Charles Bavinsky, known as ‘Pinch’, son of the great artist, Bear Bavinsky. It begins in Italy, when Pinch is just five years old, watching his father entertain the crowds, desperate for his affection and approval. His mother Natalie is also an artist, working with ceramics, but she is eclipsed by Bear’s extravagant personality, and her work always comes second to his. Continue reading
Poetry Review: Hand & Skull by Zoë Brigley
Hand & Skull is the latest poetry collection from Zoë Brigley, full of poetry which confronts the reader with a fascination in observation, particularly focusing on traumatic experience, veering from intimacy and beauty to violence and abuse. Many of the poems are inspired by the relationship between the photographer Alfred Stieglitz, and Georgia O’Keeffe, of whom he took numerous photographs, and who became a well-known artist in her own right. Continue reading
Translation, Interrogation, Spoken Word and Collaboration: Highlights from the Seren Poetry Festival
Despite being unwell I was determined to enjoy at least a few of this year’s Seren Poetry Festival events. Highlights included a fascinating insight into the complexities of translating poetry from Welsh to English, exceptional spoken word from up-and-coming poets Amiina Mohamoud and Umulkhayr Mohamed, an unusual two-way collaboration between visual artists and writers, and a frank and open discussion about the ‘BAME’ label and the need for change within the publishing industry… Continue reading
Seeing, Writing & Responding for madeinroath 2018
When you move to a new city, you never know what kind of place you’ll end up living in. Nine and a half years ago I spent an exhausting weekend traipsing through the streets of Cardiff, searching for a place to call home. Roath was the last place I looked, and it felt just right – a suburb full of life, but safe too, and welcoming. Little did I know that it was a breeding ground of artistic creation, or that the annual madeinroath arts festival would become one of the highlights of my year. Continue reading
Poetry Review: Visiting the Minotaur by Claire Williamson
Visiting the Minotaur plunges you straight into the myth in ‘Swimming with the Bull’, a dramatic encounter across ‘three-and-a-half-thousand years’. This sets the tone for the collection as a whole, exploring the surreal nature of family relationships and crossing the boundaries of time and space, as humans and monsters find their roles reversed. The cover image (a painting by Matthew Grabelsky) is both startling and ordinary – the perfect depiction of what lies between the covers. Continue reading
Hay Festival 2018 – Part 1: Poets, Art, Ambience and the Taste of Words
I’ve just spent three days immersed in the excitement and inspiration of the Hay Festival, writing about Welsh writers and enjoying the sunshine (with a little mud, lightning and rain thrown in for good measure) so here are some of my poetic highlights from the first few days of Hay 2018…
On Saturday morning I arrived bright and early to get a good parking spot and soak up the atmosphere. It was damp and foggy, but soon brightened up enough for an ice cream (gooseberry crumble flavour – the best I’ve ever tasted!). Continue reading
What makes a good book cover?
What makes you pick up a book? I am unashamed to admit that the cover and title of a book always have an impact on whether or not I decide to read it. They’re what I see first, and first impressions count, to the extent where, even if a book is highly recommended, an unappealing cover will put me off for a long time.
So what is it that attracts you to a book? And what puts you off? Here’s a quick analysis of book cover science… Continue reading
Artistic Inspiration: Ekphrastic Writing Prompts
Ekphrasis is a word used to describe the written response (usually in the form of a poem) to a piece of visual art. I find it inspiring and intriguing, partly because it provokes so many questions and layers of meaning… Does the poem still make sense away from the artwork? Do the writer and artist agree on their interpretation of the piece? Can both poem and artwork interact and create new meanings together? Continue reading
Lost and Found: A Cheap Dialogue Event
A Guest Post Written by Gordon Anderson
(in the form of some musings and a plug for a rather unusual creative event)
That thing. You know the one. You found it and it wasn’t yours but you kept it. You didn’t know why, it was just there and… well, it’s kind of a funny story. Isn’t it? Continue reading