Soaking up the Poetry at Ledbury Poetry Festival

The Market House at LedburyI’ve just spent two fabulous days losing myself in the delights of language at this year’s Ledbury Poetry Festival. It was hot and sunny, and although many of the events were available to watch online, I thoroughly enjoyed the atmosphere of being right there, in the old town of Ledbury. The workshops were held upstairs in the Heritage Centre, a quaint (and very wonky) building, with a sloping floor.   Continue reading

Literary Festivals and Workshops – Summer 2022

Daljit Nagra reading at a previous Ledbury Poetry festivalTomorrow, I will be heading to the Ledbury Poetry Festival. I’m looking forward to some time out from the busyness of the PhD to swap roles and become the workshop attendee, rather than the workshop facilitator. I really enjoy running writing workshops, but I also love attending them, and often write some of my best poems in the relaxed (but also high-pressured) space of a festival workshop.     Continue reading

A Creative Writing PhD – The Third Year (Part 1)

Poetry books by Emily Berry and Ocean Vuong

It feels like this year has been busier than ever, probably because in-person things have started happening again, and it’s so nice to see real people!

The academic year started off with a bang, as my first ever peer-reviewed journal article was published online! The title is ‘Shaping the Lyric: Literal and Metaphorical Blank Space in the Poetry of Emily Berry and Ocean Vuong’ and it’s freely available online if you’d like to read it. It began life as a 2000 word essay for my MA, a few years ago, and I’ve spent many, many, many hours re-working and extending it for publication. I initially tried a different journal, and made it all the way through the peer review process, only to be turned down at the last minute. I’m so glad I decided to try again!

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A Creative Writing PhD – The Second Year

notebooksMy first year as a creative writing PhD student was fairly eventful, with a pandemic taking over every aspect of life from March onwards. Looking back, I think the routine of PhD work, with the opportunity to immerse myself in research, was the main thing that kept me going through the lockdown. The second year has included teaching online, running workshops online, organising a conference (also online) and plenty of reading, mainly from the comfort of my own home. For obvious reasons, I don’t have many photos!  Continue reading

Poet in Residence at the Cynon Valley Museum

poet in residenceFor the month of June I’ve been writing and posting new poems on the Cynon Valley Museum website, responding to their online art exhibitions, and artefacts from their collection. I was privileged to work at the museum for a few months last year, before starting my PhD, and was impressed by their high quality art exhibitions, some of which you can now see online.    Continue reading

Interview: Creating a Book Blog in Lockdown

MeganThe other day I was delighted to hear from someone who had read my book How to Start a Book Blog: A Step by Step Guide and used it to create their own brand-new book blog, making the most of the lockdown, and the extra time they’ve had to spend at home over the last few weeks!

So here’s an interview with Megan, creator of the ‘Behind her Books’ blog…

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What makes a good book blog?

How to Start a Book BlogWhat makes a good book blog? That’s the question I asked when I decided to create a book blog of my own, and to celebrate the beginning of a new year I’m giving away two free copies of my book ‘How to Start a Book Blog: A Step by Step Guide’ which is full of tips and advice for anyone interested in book blogging (see details of how to enter this giveaway below). Of course everyone will have different ideas about what makes a good book blog, but here are my top five…   Continue reading

Poetry – Feedback, Submissions and the #100Rejections Challenge

notebooksHow do you decide which poems to submit to which magazines, and when? How do you cope when your poems get rejected? And how do you respond to critical and constructive feedback? These three questions are ones which I’m sure every poet grapples with, and I’ve certainly had my fair share of grappling this year. It’s helpful to pause and look back every now and then, so here are my reflections on taking part in the #100rejections challenge… Continue reading

Being Published – An Interview with Gareth Davies

Gareth Davies writer

Gareth Davies’ novel humans, being has just been published by Cinnamon Press. The book centres around Vic, a middle-aged comedian whose wife has just left him. Vic must come to terms with his new life as a part-time dad, looking after his son (Elis) whilst attempting to get back into the dating game, unsure who he’s looking for, or how to find her. He soon discovers that life can become quite confusing, and his best friend Mia is having troubles of her own…

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Book Review: On Poetry by Glyn Maxwell

On Poetry - a book by Glyn MaxwellOn Poetry is not just another book about poetry, it’s in a whole category of its own. It’s short, and concise, but also full of irony, subtlety and humour. It has a simple structure and purpose, to break poetry down to its basic elements and encourage you to pick them up for yourself, beginning with ‘white’ – a chapter which considers the essential element of white space on the page – the one thing that, Maxwell argues, divides poetry from prose. After reading this chapter, I had to put the book down to process it for a while, and then I read the whole chapter again. It’s that kind of book.   Continue reading

Writing on a Global Scale: An Interview with Dylan Moore, Hay Festival International Fellow

Dylan Moore - writer and Hay Festival International FellowDylan Moore is a writer, editor, critic and English teacher living in South Wales. His first book Driving Home Both Ways was published by Parthian in 2018, and he was named as the Hay Festival Creative Wales International Fellow for 2018-19.

Dylan and I met a few years ago, when he happened to marry one of my close friends, and I was chuffed to hear that he was given the Hay Festival Fellowship, a programme that allows a writer from Wales to participate in international Hay Festival events throughout the year, in Colombia, Spain, Peru and Mexico as well as Hay itself. I thought it would be interesting, as he nears the end of this momentous year, to find out how it has shaped and developed his work as a writer…    Continue reading

Three Years of Blogging – Part 1: Fiction & Festivals

Created to Read logoI launched this book blog on 18th March 2016, with no idea where it would lead me. Looking back over the last three years it’s hard to believe all that has happened in between. Reviewing books written by other people gave me the courage to look back at my own writing again, after years of relegating it to a dusty shelf, and to send it out into the world. So, to celebrate my three-year blogaversary I’ve picked out some of the posts I’ve most enjoyed writing, including my top three fiction reviews and my top three literary festivals…    Continue reading

A Poet in the Making – Finding Inspiration at Tŷ Newydd

Tŷ Newydd Writing Centre Last week I was invited to the Tŷ Newydd Writing Centre in North Wales as one of 10 writers selected for the 2019 Literature Wales Mentoring Scheme. After several months of ill-health I wasn’t sure if I’d be able to attend, but the week turned out to be beneficial in more ways than one – providing not only inspiration and development for my writing, but also some much-needed rest and relaxation in a gorgeous old house on the Llŷn Peninsula.    Continue reading

The Problem of Reviewing Poetry

reviewing poetry - notebook

Someone asked me the other day how long it takes to write a review, and it occurred to me that the amount of time and effort spent on reviewing a poetry collection goes far beyond common sense. Fiction is easy in comparison. A novel feeds slowly into your mind in plot form, with characters and subplots, ideas and comparisons already made and constructed in such a way that your subconscious does most of the work behind the scenes. You read, and then you write about what you’ve read. Simple.

Not so with poetry. I find myself taking a deep breath, and setting aside a period of uninterrupted time as I open up a new poetry collection, ready for an adventure as yet entirely unknown. It is better, often, to just delve in and begin to read, without glancing through the carefully crafted quotes on the back, or reading the blurb. Poetry is best taken neat – without any pre-conceptions. I look at the quotes later on, to see if they match up with what I’ve discovered. Sometimes they do, sometimes they don’t. Continue reading

The Magic of Place – A Creative Writing Summer School

Chetham's Library courtyardManchester Metropolitan University’s annual Creative Writing Summer School is designed to push you into trying out new things. As a poet, I naturally signed up to attend most of the poetry sessions, but it was the ‘place writing’ workshops which I enjoyed the most. A visit to Chetham’s Library, on the second day of the summer school, was definitely the highlight for me – an opportunity to forget the pressure of honing my craft as a writer, to wander about and take photos, scribble down notes and enjoy the atmosphere of peace and tranquillity.    Continue reading

What’s your ‘Writer Identity’?

person writing

Are you a Welsh writer? Or an Irish writer? Or an Asian writer? Publishers love pigeon-holing their writers, and writers are often labelled by the media. But how do you identify with a particular location if you move around? Can ‘writer identity’ be a positive thing? And what do the writers think?

Here are just three opinions on the complex subject of ‘writer identity’ – not a representative snapshot by any means, but please do feel free to add your own thoughts using the comments below…

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Diary of a Creative Writing MA Student – Year 1 of 2

MA Creative WritingI began an MA in Creative Writing in September, studying at Manchester Metropolitan University (part time by distance learning). I chose this particular course because it was possible to fit the work around my paid employment – the seminars are online in the evening (through chatrooms) and you can liaise with tutors via email or phone. It also has a great reputation, with a lot of talented writers teaching on the course, and it’s possible to specialise in a particular area (novel writing, place writing, poetry or writing for children). I chose to specialise in poetry.    Continue reading

Literary Highlights of 2017

Tracey EminLooking back over the last few months I can hardly believe all that’s happened in such a short time. In the course of one year I have gone from blogger to literary event organiser and MA student, and am now fully immersed in Modernist poetry, as I slog on towards my first deadline. But so much has happened in between, including a smattering of literary festivals and events, so here are just five of my literary highlights from 2017:    Continue reading